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![[Uriah Heep Band Picture]](/bandpics/uriahheep.jpg)
Title: Salisbury
Uriah Heep Homepage
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Category: Classic Rock
Year: 1971
Label: Vertigo Records
Catalog Number: 6360028
Personnel
David Byron Lead Vocals
Keith Baker Drums
Ken Hensley Organ, Piano, Guitars, Harpsichord, Vibes, Vocals
Mick Box Lead Guitar, Acoustic Guitar, Vocals
Paul Newton Bass, Vocals
John Fiddy Brass & Woodwind Arrangements Track 6
Tracks
| 1. | Bird of Prey | 4:05 |
| 2. | The Park | 5:38 |
| 3. | Time To Live | 4:02 |
| 4. | Lady in Black | 4:33 |
| 5. | High Priestess | 3:39 |
| 6. | Salisbury | 16:02 |
| | |
|
| Total Running Time: | 37:59 |
If you see any errors or omissions in the CD information shown above,
either in the musician credits or song listings (cover song credits,
live tracks, etc.), please post them in the corrections section of the
Heavy Harmonies forum/message board.
The music discographies on this site are works in progress. If you
notice that a particular Uriah Heep CD release or compilation is missing
from the list above, please submit that CD using the CD submission page.
The ultimate goal is to make the discographies here at Heavy Harmonies
as complete as possible. Even if it is an obscure greatest-hits or live
compilation CD, we want to add it to the site. Please only submit official
CD releases; no bootlegs or cassette-only or LP-only releases.
EPs and CD-singles from Uriah Heep are also welcome to be added, as
long as they are at least 4 songs in length.
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Existing comments about this CD
| From: Remastered Reason |
Date: July 27, 2010 at 18:50 |
| Heep's second record campaign would follow the same path as the first. The album would have two seperate track listings & distinctively different cover art between the US & UK issues. The UK tank cover & the ghoulish skeleton US art were both about as atrocious as it could get. As for the contents within, the US version replaces "Bird of Prey" with "Simon the Bullet Freak" due to the fact that it was already on Heep's US debut album. Moreover, the bands most progressive tune ever written was the title track. Complete with a full blown orchestrial arrangement around their swirling keyboard dominated sound, it also layed the foundation for Heep to experiment & improvise on vinyl, even to the extent of sounding jazzy. In essence, the song was probably a direct counter punch at the media who previously dubbed the band as amateur musical hacks. Though Heep would never silence the critics, undoubtedly, they proved to be ambitious musicians as they were able to write & play their instruments
|
| From: rick kerch vzla |
Date: August 2, 2021 at 23:23 |
| Simply a 💎...all the songs are pure magic 🎩...my fave ones are #1,5 & 6 but as I said ..all the songs are pure magic.87/100 🙂
|
| From: hair metal again |
Date: October 22, 2022 at 14:03 |
| very good release as usual for URIAH HEEP with that fine balance between keys and guitars and the vocal work being outstanding!excellent musicianship with every note keeping the interest of the listener!great stuff indeed
|
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